ALL–Beginning p. 65-72, please note which notes are staccato (dotted-short and detached) and which are not. Seems we’re way over-staccato-ing the phrase. The staccatos will be much more effective if only articulated on notes that marked as such.
Letter E–watch cut-offs for “Tod”
m. 188–watch timing, especially S.
Pgs. 78 & 79–Anticipate what’s coming harmonically. Don’t be surprised by what is happening in the moment!
S–entrance m. 277 and 286 (pitch and timing)
S–m. 337 “b”
ALL — m. 341, pitches